Visitors to Japan in the midst of its
modernization during the Meiji period were impressed by the variety of ways Japanese
people used wood, bamboo and paper in their daily livies and by the many kinds
of beautiful and durable papers. The new Meiji government took part in the World
Exposition in Vienna in 1872 to promote Japanese culture and exhibited almost
400 items related to Japanese paper. Most of these are still kept in a library
in Leipzig.
The following year, the German government commissioned Johannes Justus REIN to
research Japanese industries. The report of his three-year study describes in
detail a range of uses for washi. This outside interest in washi was not the result
of Japan's perceived exoticism, but came rather from a European shortage of raw
materials for paper, the demand for which had skyrocketed in tandem with the development
of printing.
In the early 17th century, the French scientist Rene Antoine Ferchault REAUMUR
observed bees building a hive and hypothesized that it was possible to make paper
by grinding up wood and joining the fibers. Jacob Cristian SCHAEFFER, a German,
developed this hypothesis by trying to make paper from ground plant fibers. With
the invention of the |
wood grinder it became possible to produce
ground pulp, or mechanical pulp, in sufficient quantities for papermaking. Chemical
pulp was developed for practical use a few years later. As the materials and methods
of papermaking changed, pulp and paper manufacturing grew into modern industries.
Foreign paper, or machine-made paper, began to enter Asian countries.
The history of paper traces its movement eastward from China to Japan, where it
became refined into beautiful Japanese papers and part of a unique culture. At
the same time paper moved westward, where its development flourished after a long
journey across Europe. Having followed different paths for more than 1,000 years,
these two kinds of paper once again met in Japan in a fusion of eastern and western
cultures, a fusion that is still under way today. The industrial manufacturing
of paper has become a major economic sector in modern Japan ; yet while Japanese
people consume western paper in their daily living, they haven't forgotten the
aesthetic values underlying the nation's handmade washi. This integrated viewpoint
was praised by the American artist Dard HUNTER, who said that the combination
of convenience and beauty seen in washi is characteristic of the Japanese way
of living. |